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CHAPTER FIVE:
The Isle of Man's response.
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This was strange. We were being loved by millions
of people in England. All along the coast we had been cheered and welcomed with mirrors and car
headlights and now that we had arrived at our destination, the island off which we were planning
to spend a long time, now there was no response. To be not welcomed by the Isle of Man would be
most awkward. This was our new home and we needed their support for this battle against the
British establishment to work. Today it may not seem so important but the music we were playing,
the opening into the music world for new groups and artists, the possibilities for new record
labels to emerge was a David-and-Goliath battle. We needed the support of the people
of the Isle of Man.
Then coming out from the coast, I saw a small boat. Not a fishing
boat or any other boat that we were used to, but a canoe. A canoe with two figures rhythmically
paddling in our direction. We watched with interest. They slowly drew nearer. We could see that
the two figures were two men, two men paddling as if they could go like that forever.
The canoe came along side Radio Caroline. One of the men handed up
an envelope to Jerry who was leaning on the railing. And as he handed Jerry the note he said
My wife wouldn't rest until I brought you this.
They paused briefly and then straight away, without another word,
canoed back to shore.
I had put a long piece of music on and came down to see what this
message was and how we were being received.
Jerry opened the letter. From the fold in the page he took out a
piece of heather. And then out loud he read the note. Welcome to the Isle of Man.
That's all it said. Then suddenly Jerry laughed with relief. Oh! That's
amazing! he said. Yes! Now we are really welcomed by the people of the
Isle of Man. This is it! These people have said yes.
We both waved to the receding men in their canoe and shouted
Thanks a lot guys. The two men waved back and returned to paddling.

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| A press advert for Cossack vodka featuring Caroline North DJs Tom Lodge and Jim Murphy |
Yes, the Isle of Man had welcomed us, but at the
same time things were heating up back in London. The headlines in one newspaper read PLAN
TO SEIZE PIRATE RADIO. And later, after the autumn election, when Anthony Wedgewood Benn,
became the Postmaster General, the man in charge of the ministry that controlled radio, he went
on television and said The pirates are a menace and I don't believe, at all, that the
public wouldn't support action to enforce the law. The pirate radio ships have no future at
all. I'm quite convinced of that And on and on, how we were a menace to shipping and
breaking the law. But the truth was we were not breaking any laws. We were beyond the three mile
limit, outside of the jurisdiction of Great Britain. We were away from all shipping lanes and in
international waters and therefore under no country's laws. And even though we were named a
pirate the fact is we were simply an off-shore radio broadcasting ship.
In fact the British government recognized us as being outside of
their jurisdiction. They treated us as foreigners. When we came ashore we had to go through
customs with our passports. And then later, when Edward Short took over the post of Postmaster
General from Wedgewood Benn, he announced on TV I promise legislation that will put all
pirate stations off the air.
It was a funny game. It was a battle. But the music was flourishing.
We were pushing in every direction. We accepted no limit to play and fun, and with our twenty
four hours of rock 'n' roll there was no end to the party. At the same time there was
continual resistance from the establishment with their desire to be in total control and with
their determination to shut us down. But we had the audience. We had the growing support of an
enthusiastic population, a support that was growing by the millions. Yes, our energy was high.

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| Mike Ahern |
Soon our on-air radio crew expanded to include
Alan Neddy Turner, who had been our studio technician as we sailed north, Tony Jay,
Big Jim Murph the Surf Murphy and then, many a listener's favourite, the young
fellow from Liverpool, Mike Ahern. Mike and I became close friends. We had a similar feel about
radio. Radio is organic. It needs to flow with the moment. The announcer needs to be in tune
with what's happening now, feel the music he is playing. Listen to the relationship between
the music, his voice, and any other sounds he introduces. He is creating an audio collage. An
audio collage which touches the feelings of the listener. He is always, and only, speaking to
one person even though he may have a million listeners. Radio is an intimate medium, unlike
books or television. The voice is close and can touch you deeply if the deejay is speaking directly
from his/her feelings. When radio is working, a listener will feel that the deejay is talking
directly to them. This is what we were doing on Radio Caroline North. This was the power of our
programming.
One day I got a message that I was to go ashore and be the M.C. for
a Rolling Stones concert in Douglas, the capital of the island nation. I was extremely excited.
I loved the Stones and this would give me a chance to spend some time with them.
Next: The Rolling Stones Concert.
©Tom Lodge 2002