|
After an education at Roedean (in Johannesburg) and at St Albans and in Paris, South
African-born Kitty Black started work in London in 1937 with the famed H.M Tennent theatrical agency. Her account of
those years, among the glittering stars of the Forties and Fifties particularly, makes fascinating reading in her
autobiography, Upper
Circle (Methuen, 1984).
She was an exceptional secretary and a talented pianist as well as fluent in French. Before long, she was adapting
and/or translating works by such as Robert Louis Stevenson, Jean-Paul Sartre, Jean Anouilh, and Fritz Hochwalder
among many other great names of the time. She produced original works, was responsible for simultaneous translations
for World Theatre Seasons 1963-75 at the Aldwych Theatre and was secretary of The Apollo Society.
Vivien Leigh, John Gielgud, J.B Priestley, Edith Evans, Emlyn Williams, Noel Coward, Margaret Rutherford, Richard Burton,
Mai Zetterling, Alan Badel, Brenda Bruce and Stanley Baker were just some of her friends and contemporaries. The doyenne
of play agents, she dealt with Samuel Beckett and other such leading figures as Arthur Miller, Peter Ustinov and
Christopher Fry. All the great names.
Miss Black established herself at the Lyric Theatre, Hammersmith, running it with Murray Macdonald for eight years,
producing new plays and satirical revues. The choice of presentations by Company of Four raised Parliamentary questions
about the definition of ‘educational plays’ to avoid the then detested entertainment tax. That was not to be
her only run-in with authority.
Music and golf were her recreations - and knitting. That last plays a major part in her own description of her
involvement in the infamous raid on the Radio City fort in the Thames Estuary. She knitted a golf
stocking for a friend while sailing out to participate in that boarding and the removal of the transmitter's crystal.
All in the cause of attempting to recover £10,000 she had invested in equipment which was then in the hands of
Reg Calvert, the proprietor of the station. He was later shot and killed. One of the
Sixties' famous court cases ensued. (Kitty's article, describing the raid, can be found on the
Offshore Echos web site.)
The Times of London obituary of
Miss Kitty Black on 12 January covered her outstanding contributions to British theatre, but there was that other side
to this extraordinary woman that was overlooked, possibly because she was herself unsure of being remembered for her
somewhat ‘nefarious’ activities. In later years, she enjoyed the notoriety of being called the Pirate Queen of
Britain.
Kitty Black was a founding Board member of Project (Radio) Atlanta and one of the earliest instigators of that
radio operation - the template from which Radio Caroline was later constructed. It was through her theatre
association with Australian-born Allan Crawford that she became involved and her contacts, prestige and financial
support were crucial to the project.
Crawford had previously been associated with Southern Music in Sydney and London. He was the proprietor of Merit Music,
various music publishing companies and several record labels, mostly specialising in inexpensive cover-versions of
pop records. Like many before him, he encountered the difficulties of having records played on the very restricted radio
monopoly of the day in the UK.
Radio Atlanta was to be his answer - not principally to break the radio monopoly in Britain, but as the means to
the end of getting his music on the air and to creating a musical empire. His business efforts ultimately failed, but
the ‘pirate’ radio ships carried on and as Kitty wryly summed it up later: “None of us made the
expected millions we thought we would, but at least we opened the airwaves to the performance of non-stop pop music by
the Beatles, The Rolling Stones, and Elvis Presley, which the British audience demanded as their right. The careers of
DJs such as Tony Blackburn, John Peel,
Keith Skues, Simon Dee and Colin Nicol prospered”.
For many years Kitty lived in her large terrace house on Brunswick Gardens, Kensington, just off the High Street. Her main
reception room was large and long, extending from overlooking the garden at the rear, to the bow window on the street.
There were comfortable, antique chairs and settees, occasional tables and a grand piano. A traditional kitchen below in
the semi-basement, several floors extending above.
Visitors there enjoyed lively conversation and fearsome gin and tonics, the latter large and strong and an appropriate
accompaniment to gossip and news. It was obvious by 1999 that she was failing in health and had to give up her beloved
golf due to a shoulder injury. Driving had become a problem as well and later she began to succumb to Parkinsons. Now
she has gone and an epoch is ending.
|
As well as The Times obituary mentioned above, there was also one published in
The Guardian
but neither makes any mention of Kitty's involvement in offshore radio.
With grateful thanks to Colin Nicol.
