When Radio London began broadcasting at the end of December 1964, the lunchtime 12 till 3 slot on
the initial programme schedule was occupied by Dave Dennis. Nearly two years later, when Dave decided to give up life at
sea and leave Radio London, he was still occupying that time slot. All the other DJs had changed - either left the
station or moved to a different show - but Dave had been a permanent fixture. He had been the heart of Radio London.
Born David Neil Spence, he had not excelled at his school, Leighton Park near Reading. There may be a degree of exaggeration
in the story but it has been said that he was not just bottom of his class but bottom of the entire school throughout his
entire education! His ambition was to be a farmer and, on leaving school, that's what he did. He started work on
a farm.
He did not stay there though because he became fascinated with the idea of acting. Three years at the Central School of
Speech and Drama followed and, on finishing the course, he began the faltering career of a newly trained actor.
The appearance of offshore radio in 1964 gave a number of young actors their chance to reach a wider audience. Simon Dee,
Carl Conway and John Junkin, for instance, were hired by Radio Caroline. And Neil Spence, as he was then known, was taken
on by the fledgling Radio Atlanta.
Neil Spence on the Music Of The Moment show on Radio Atlanta (duration 43 seconds)
Sadly Atlanta did not last long. In July 1964, running short of funds, a deal was done with the rival
station, Radio Caroline. Atlanta's ship, the mv Mi Amigo, became home to Radio Caroline South. Neil did not stay with
the new set-up. Instead he moved to Radio Invicta. This middle-of-the-road station was based on Red
Sands, an abandoned anti-aircraft fort off the Kent coast. Money was tight and resources severely limited. It was by
no means luxurious and, unlike Radio Atlanta who recorded their programmes in the comfort of a London studio, Radio
Invicta's shows were live, which meant Neil lived and worked out on the derelict North Sea fort.
Dave Dennis in the Radio London studio. Photo by Martin Stevens taken from Offshore Radio,
published by Iceni Enterprises.
It is not known how long Neil remained with Invicta but he was soon sending demo tapes to other
potential employers. One landed on the desk of Ben Toney, Programme Director for a new station which was just about to
launch. Toney liked what he heard and invited Neil to join the DJ team for the new station - Radio London. But, like
all his colleagues, he had to choose a new name. He became Dave Dennis.
Radio London began broadcasting just before Christmas 1964 and, despite not yet being on full-power or even having
many records in its library, it made an immediate impact. And no one made a bigger impact than Dave Dennis. British radio
up until then had been rather subdued. Brought up on the BBC's gentlemanly presentation style, most of the new breed
of offshore broadcasters had carried on in the only way they knew. But Dave wasn't one for this polite style. He
had an instantly recognisable staccato delivery. His shows were peppered with unique catch-phrases mixed with
imagination and humour. He was the Double D from 12 to 3 you were in Dave's Den and you're
very welcome and of course that's a lovely one there, squire. He was a broadcaster who grabbed you
by the ears - and didn't let go!
Dave Dennis on his lunchtime show on Radio London from Sunday 14th March 1965. The voice at the end of the clip belongs to
Paul Kaye. Clip taken from the RBL cassette The Off-Air Collection vol.4. The
tape is from Martin Lynch's collection and has been kindly donated by Lynne Sims (duration 4 minutes 1 second)
Dave Dennis in the Radio London studio. Photo from Offshore Echo's magazine.
Dave's lunchtime show was an immediate success and for a time the programme had the highest
ratings on the station but, after two years at Big L, he found that spending two weeks out of three at sea was causing
problems. He had fallen in love and, understandably, wanted to spend more time with the object of his affections. He quit
in December 1966. Although leaving the ship, his voice was still heard on air for a little while longer because a record
he had made, Yes Virginia, There Is A Santa Claus, was on the station's Fab 40.
Reverting to the name Neil Spence, he then had a successful radio career on land. He made trails for the BBC then became
Programme Director of UBN, the United Biscuits factory radio station which gave numerous young broadcasters their first
on-air experience. In 1975 he joined his old Radio London colleague Dennis Maitland at Radio Trent in Nottingham.
Dennis Maitland, who had been a salesman at Big L, was now Managing Director. Neil was Programme Director.
From Trent he moved to The National Broadcasting School where, again, he made a major contribution to commercial radio,
training a generation of broadcasters.
We believe that Neil then turned his back on broadcasting and returned to his first love - farming - although
information is sketchy. We do know that he was approached on at least one occasion and asked to take part in a restricted
service re-creation of Radio London but he made it very clear that he was not in the slightest bit interested. He did
not attend any of the offshore reunions nor taken part in the Pirate BBC Essex broadcasts.
Out of radio and, we hope, happy on his farm, Neil became forgotten by the media world. His death, in December 2007, was
not widely reported. But it should have been. For two years in the mid-sixties, as Dave Dennis, he had been a big
radio star on the biggest radio station and for ten years after that, in the early days of ILR, he played an important
role in the training of the broadcasters of today. By all accounts he could be a difficult man but those that knew and
worked with him understood that under that prickly exterior was a warm heart and an excellent radio brain. He may have
only worked in broadcasting for a short time but he left an indelible mark.
Dave Dennis in Dave's Den from October 1966, an extract from Offshore Echo's tape More Highlights Of Big L part one, used with kind permission
(duration 3 minutes 38 seconds)
Dave Dennis's Radio London colleague Duncan Johnson remembers
a man who could be an irascible ship-mate but whose command of the English language suggests that the story of his
lack of education, reported above, was very much an exaggeration. Duncan writes:
I did admire the Double D who was able to control a rather intense
personality in so much as he never swore when angry. He said, and I can't guarantee this is an accurate quote
the descriptive qualities of the English language make unnecessary the vulgarities of the ignorant. I
didn't discuss the matter further, but I never heard him resort to vulgarities. He came close one evening, though.
Mitch the steward was in the little kitchen next to the ward room where DD and me were sitting. The DD shouted to Mitch
to make a pot of tea. Mitch replied (and he wasn't easily understood in the early days because of his accent
and lack of English) something like I'm not working. Make your own tea. DD said Mitch
you're the steward, make some tea! Before Mitch could say anything, I said You'll have to
make your own as Mitch is off duty. He is just about to sit down here and get started on a new English correspondence
course. DD wasn't happy and in a very controlled manner said Maybe I will be able to understand him,
the next time he says he can't make a pot of tea then. With that he got up, made a pot of tea and that moment
was never mentioned again.
DD never argued with me and it was several years after Big L that I discovered why. During my first couple of days on the
ship, I mentioned that in my itinerant youth I worked on the docks in Vancouver. It was a quite a tough place and once I
broke a bone in my hand when I hit someone. From that day I always wore heavy boots and was prepared to put the boot in
to avoid damage to my hands. DD had a great fear of being kicked and was convinced that in an argument with me I would
just put the boot in!
We had a few discussions over the next 18 months but never anything serious. Even after his trip to America and a visit
to Cousin Brucie on WABC (I think). DD's on-air style became machine gun-like with the volume at
plus 3 dB. I made a comment and he said the top man in New York says you have to push the compressor to hold the listener.
I didn't bother to ask why.
It was his controlled acidic replies that I will always remember and one of the best was his reply to yet another invitation
to a reunion. He refused to get involved in this dated, rebarbative and otiose subject. That says it
all.
Our thanks to Mary Payne, Peter Young, John Peters and Duncan Johnson.